Screenwriting apprenticeships uk lottery

Writers are not just penniless, tortured, romantic souls that flounce around in loose shirts and hide away in woodland cabins, writing novels, poetry and film scripts that nobody will ever read. They play an incredibly important role in society.

Screenwriting apprenticeships uk lottery

The scripts should be original, not episodes of existing drama series. Writers will be paid a fee for participating in the course and for completing two drafts of a one hour script.

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All writers will be required to grant Shelley Productions a first option for Channel 4 to acquire all rights in their script and will be told within six months of delivery whether Channel 4 wishes to exercise this option.

Each writer will be assigned a script editor, who is currently working in the industry, to guide them through this process. Writers will meet at least twice with their script editor and should complete a 2nd draft script before the 2nd weekend of the course.

Completed, 2nd draft scripts will be sent to the script editor and two other writers on the course, for workshop discussions at the second weekend.

screenwriting apprenticeships uk lottery

FIRST WEEKEND Writers, directors, producers and script editors in the industry will speak to the participants on a variety of subjects relating to writing for television, especially writing for series screenwriting apprenticeships uk lottery serial drama.

There will also be time set aside for writers to discuss their ideas for one hour scripts with their assigned script editor. Applicants must be resident in UK or Ireland. Channel 4 are committed to promoting equal opportunities and diversity in the media industry. As well as individual writers, writing partnerships of two max may enter.

Scripts submitted must be written by the partnership. Only one script per applicant can be submitted. Anyone submitting more than one script will not be considered. Entry is free of charge. No feedback can be given on the scripts. No correspondence email or otherwise can be entered into with applicants.

We will post a notice on the 4talent website once we have chosen the 12 successful writers. This is to give them a sense of the current remit for Channel 4 and E4.

Scripts entered must be 20 — pages in length. They can be screenplays, TV scripts, stage plays or radio plays. Scripts shorter than 20 pages or longer than pages will not be considered. Your submission must be your own original work, and may not be based wholly or in part, on the work of any other person, whether known, published, produced, or not ie no adaptations.

You may submit a script based on your own work which has been published or written in another form. Your submission is final.

Under no circumstances will rewrites, corrections, replacement pages, or additional drafts of a submission be accepted. Submitted scripts must be formatted clearly and legibly and emailed as PDF attachments. We only accept email entries.

All entries must be submitted through the online submission process. Writers should include a CV with their scripts. Scripts entered can reflect the range of the Channel 4 drama output eg comic scripts, like Fresh Meat, as well as drama scripts will be considered. You can enter a script if you previously entered it for the Channel 4 screenwriting course.

You will be notified by email immediately after submitting your script that your entry has been received. The interviews for short-listed writers Nov and the two weekends in January and June will be held at the Channel4 building in London.

If successful, the idea you work on during the course will be a new idea, ie different to the script that you submit with your entry. I found so much freedom in being able to write about a subject and idea of my own choosing, knowing it was a safe environment, full of support.

Dates for the 2019 Programme

The advice from people working in the industry over the two weekends was incredibly helpful and valuable, not just for writing but for learning about how the industry works. This was my first experience of working with a script editor, and I cannot say enough about how helpful it is.

I loved being able to discuss and go through the drafts, to work out the best ways to solve problems and to have someone who was just as passionate about the work as I was.Get access to over film industry professionals including agents and producers over 70 sessions and three days. The London Screenwriters' Festival is the leading screenwriting event to help you improve your screenplay and make contacts that who get your script made.

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The NFTS screenwriting course has produced some of the outstanding writers of our generation. The course prepares writers for work in film and television. Taught by working writers, producers and commissioners, the course addresses the main aspects of the profession of writing.

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